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Film and Video Editing Theory offers an accessible, introductory guide to the practices used to create meaning through editing. In this book, Michael Frierson synthesizes the theories of the most prominent film editors and scholars, from Herbert Zettl, Sergei Eisenstein, and Noël Burch to the work of landmark Hollywood editors like Walter Murch and Edward Dmytryk. In so doing, he maps out a set of craft principles for readers, whether one is debating if a flashback reveals too much, if a certain cut clarifies or obscures the space of a scene, or if a shot needs to be trimmed. The book is grounded in the unity of theory and practice, looking beyond technical proficiency in a specific software to explain to readers how and why certain cuts work or don’t work.

Create a new look with the "secret tools" of the movie industry! Tiffen brings you this DV kits that takes the guesswork out of which filter to use in a variety of shooting situations. This kit is designed primarily for professional shooters using prosumer DV cameras to produce results that are more pleasing, less harsh and less brassy. This "Film Look" DV Kit consists of a Black Diffusion FX 1/2, Black Pro-Mist 1/2, Warm Black Diffusion FX 1/4, Soft/FX 1 and a 4-Pocket Filter Pouch.

Black Diffusion/FX 1/2Gives a subtle, silkysmooth look to textured surfaces. Excellent in suppressing facial blemishes and wrinkles while maintaining the eyes as crystal clear. Takes the "hardedge" off of the scene and yet offers no hint that a filter was used.Black Pro-Mist 1/2Tones down excessive sharpness to create the "film look in video". This is especially useful given the extremely sharp resolution produced by contemporary lenses. Creates a light "pasteling" effect while reducing contrast. Slightly lightens shadow areas while minimizing highlighted areas and flare.Warm Black Diffusion/FX 1/2Offers the same wonderful features as the Black Diffusion/FX while including an additional warm tone effect. Provides "healthy looking" skin tones while minimizing excess blue as produced from video lights or found in outdoor open shadeSoft/FX 1Designed with tiny "lenslets" to retain overall image clarity while softening unwanted details. The Soft/FX's subtle effect does not cause the subject to look "out of focus" as many competitor soft focus filters do. Under certain lighting conditions, the Soft/FX may enhance flare.

Black Diffusion/FX 1/2Gives a subtle, silkysmooth look to textured surfaces. Excellent in suppressing facial blemishes and wrinkles while maintaining the eyes as crystal clear. Takes the "hardedge" off of the scene and yet offers no hint that a filter was used.Black Pro-Mist 1/2Tones down excessive sharpness to create the "film look in video". This is especially useful given the extremely sharp resolution produced by contemporary lenses. Creates a light "pasteling" effect while reducing contrast. Slightly lightens shadow areas while minimizing highlighted areas and flare.Warm Black Diffusion/FX 1/2Offers the same wonderful features as the Black Diffusion/FX while including an additional warm tone effect. Provides "healthy looking" skin tones while minimizing excess blue as produced from video lights or found in outdoor open shadeSoft/FX 1Designed with tiny "lenslets" to retain overall image clarity while softening unwanted details. The Soft/FX's subtle effect does not cause the subject to look "out of focus" as many competitor soft focus filters do. Under certain lighting conditions, the Soft/FX may enhance flare.

Black Diffusion/FX 1/2Gives a subtle, silkysmooth look to textured surfaces. Excellent in suppressing facial blemishes and wrinkles while maintaining the eyes as crystal clear. Takes the "hardedge" off of the scene and yet offers no hint that a filter was used.Black Pro-Mist 1/2Tones down excessive sharpness to create the "film look in video". This is especially useful given the extremely sharp resolution produced by contemporary lenses. Creates a light "pasteling" effect while reducing contrast. Slightly lightens shadow areas while minimizing highlighted areas and flare.Warm Black Diffusion/FX 1/2Offers the same wonderful features as the Black Diffusion/FX while including an additional warm tone effect. Provides "healthy looking" skin tones while minimizing excess blue as produced from video lights or found in outdoor open shadeSoft/FX 1Designed with tiny "lenslets" to retain overall image clarity while softening unwanted details. The Soft/FX's subtle effect does not cause the subject to look "out of focus" as many competitor soft focus filters do. Under certain lighting conditions, the Soft/FX may enhance flare.

Black Diffusion/FX 1/2Gives a subtle, silkysmooth look to textured surfaces. Excellent in suppressing facial blemishes and wrinkles while maintaining the eyes as crystal clear. Takes the "hardedge" off of the scene and yet offers no hint that a filter was used.Black Pro-Mist 1/2Tones down excessive sharpness to create the "film look in video". This is especially useful given the extremely sharp resolution produced by contemporary lenses. Creates a light "pasteling" effect while reducing contrast. Slightly lightens shadow areas while minimizing highlighted areas and flare.Warm Black Diffusion/FX 1/2Offers the same wonderful features as the Black Diffusion/FX while including an additional warm tone effect. Provides "healthy looking" skin tones while minimizing excess blue as produced from video lights or found in outdoor open shadeSoft/FX 1Designed with tiny "lenslets" to retain overall image clarity while softening unwanted details. The Soft/FX's subtle effect does not cause the subject to look "out of focus" as many competitor soft focus filters do. Under certain lighting conditions, the Soft/FX may enhance flare.

Black Diffusion/FX 1/2Gives a subtle, silkysmooth look to textured surfaces. Excellent in suppressing facial blemishes and wrinkles while maintaining the eyes as crystal clear. Takes the "hardedge" off of the scene and yet offers no hint that a filter was used.Black Pro-Mist 1/2Tones down excessive sharpness to create the "film look in video". This is especially useful given the extremely sharp resolution produced by contemporary lenses. Creates a light "pasteling" effect while reducing contrast. Slightly lightens shadow areas while minimizing highlighted areas and flare.Warm Black Diffusion/FX 1/2Offers the same wonderful features as the Black Diffusion/FX while including an additional warm tone effect. Provides "healthy looking" skin tones while minimizing excess blue as produced from video lights or found in outdoor open shadeSoft/FX 1Designed with tiny "lenslets" to retain overall image clarity while softening unwanted details. The Soft/FX's subtle effect does not cause the subject to look "out of focus" as many competitor soft focus filters do. Under certain lighting conditions, the Soft/FX may enhance flare.

Create a new look with the "secret tools" of the movie industry! Tiffen brings you this DV kits that takes the guesswork out of which filter to use in a variety of shooting situations. This kit is designed primarily for professional shooters using prosumer DV cameras to produce results that are more pleasing, less harsh and less brassy. This "Film Look" DV Kit consists of a Black Diffusion FX 1/2, Black Pro-Mist 1/2, Warm Black Diffusion FX 1/4, Soft/FX 1 and a 4-Pocket Filter Pouch.

Black Diffusion/FX 1/2Gives a subtle, silkysmooth look to textured surfaces. Excellent in suppressing facial blemishes and wrinkles while maintaining the eyes as crystal clear. Takes the "hardedge" off of the scene and yet offers no hint that a filter was used.Black Pro-Mist 1/2Tones down excessive sharpness to create the "film look in video". This is especially useful given the extremely sharp resolution produced by contemporary lenses. Creates a light "pasteling" effect while reducing contrast. Slightly lightens shadow areas while minimizing highlighted areas and flare.Warm Black Diffusion/FX 1/2Offers the same wonderful features as the Black Diffusion/FX while including an additional warm tone effect. Provides "healthy looking" skin tones while minimizing excess blue as produced from video lights or found in outdoor open shadeSoft/FX 1Designed with tiny "lenslets" to retain overall image clarity while softening unwanted details. The Soft/FX's subtle effect does not cause the subject to look "out of focus" as many competitor soft focus filters do. Under certain lighting conditions, the Soft/FX may enhance flare.

Create a new look with the "secret tools" of the movie industry! Tiffen brings you this DV kits that takes the guesswork out of which filter to use in a variety of shooting situations. This kit is designed primarily for professional shooters using prosumer DV cameras to produce results that are more pleasing, less harsh and less brassy. This "Film Look" DV Kit consists of a Black Diffusion FX 1/2, Black Pro-Mist 1/2, Warm Black Diffusion FX 1/4, Soft/FX 1 and a 4-Pocket Filter Pouch.

Before you settle for anything less, consider the Photoflex Speed Ring, a professional-grade film-video connector meticulously engineered for Cine, Silver, and White Dome NXT Light Softboxes. This versatile accessory is not just a speed ring; it's a reliable tool designed to enhance your lighting setup and optimize your photography or videography experience.Constructed with high-quality, durable materials, this speed ring is built to withstand the rigors of professional use, promising longevity and consistent performance. It's not just about durability, though; the Photoflex Speed Ring also offers unparalleled compatibility. It's designed to work seamlessly with a wide range of lighting equipment, including but not limited to Altman 300L, Arri 125HMI, 300 Plus, Color Light Mini Pro, Colortran Mini Pro, K5600 Joker 200, LTM Pepper 650, Mole-Richardson Betweenie, Digi Mole 200, Midget 200, Teenie-Weenie, Tweenie II, Strand HMI 200, and Bambino 500 lights.Whether you're a seasoned professional or an ambitious beginner, the Photoflex Speed Ring is a valuable addition to your gear, offering the flexibility to adapt to various lighting setups and the reliability to deliver excellent results every time.

What sets the Glidecam HD-PRO Handheld Stabilizer apart is its culmination of twenty-five years of industry-leading innovation, offering a full-featured, hand-held camera stabilizer that's both affordable and professional-grade. This meticulously designed stabilizer combines the best features of the popular Glidecam HD-Series with high-end professional features typically found on more elaborate body-mounted systems. Designed to accommodate film and video cameras weighing up to 10 lbs (4.53 kg), the Glidecam HD-PRO is both lightweight and rugged. It's engineered to transform shaky, hard-to-watch footage into hypnotically smooth, professional-grade video. With the Glidecam HD-PRO, your camera seems to float, always balanced and isolated from any undesirable hand motions. This allows for free movement - panning, tilting, booming, or running - without any camera instability or shake. The Glidecam HD-PRO is so effective that it allows for incredibly smooth and graceful shots, even in extreme conditions like running up and down stairs or traversing rugged terrain. For normal shooting scenarios, like walking or slowly moving the camera around a subject, the results are equally impressive. The Glidecam HD-PRO features a precision Camera Balance Platform (X-Y Head or Top Stage) that includes a quick-release, no-tools, drop-in Dovetail Camera Plate, Brass Alignment pin, Spring Loaded Quick Release Plate Lock, and Push Button Quick Release. This allows for quick attachment or removal of your camera. Ergonomic, fine-tuning control knobs enable quick and precise adjustment of the Camera Balance Platform's front-to-back and side-to-side movement, ensuring swift adjustment of the system's horizontal balance. The Glidecam HD-PRO also boasts a unique, proprietary, precision, no-tools, Three-Axis Gimbal with adjustable axis convergence controls. This allows all three axes to intersect for proper operational alignment. The Dynamic Base Platform is uniquely designed to manually expand or contract, enabling easy adjustment of the system's dynamic balance or to increase or decrease the system's rotational pan inertia. The Glidecam HD-PRO Dynamic Base Platform also features a 1/4" mounting hole for monitor attachment. In essence, the Glidecam HD-PRO Handheld Stabilizer is a versatile, professional, high-quality tool that offers sturdy and durable stabilization for a wide range of cameras, making it an essential piece of equipment for any videographer.

Film on Video: A Practical Guide to Making Video Look like Film is an accessible guide to making video captured on a camcorder, DSLR camera, smartphone, action camera or cinema camera look like it was shot on motion-picture celluloid film. Chapter by chapter, Jonathan Kemp introduces the reader to a key characteristic of celluloid film, explains the historical and practical reasons why it exists, before providing a simplified method for best replicating that characteristic on a digital camera. The book includes various practical exercises throughout that are designed to underline the takeaway principles of each chapter and features case studies on specific cameras including the Sony NX5 Camcorder, Canon 5D Mk IV, Canon 4000D, iPhone X, GoPro Hero 6, Blackmagic URSA Mini Pro 4.6K and Canon C200. Ideal for students studying film and media production and filmmaking newcomers who want to get up to speed quickly, this is an indispensable guide to how the numerous settings on a digital camera can be used to create footage that more closely resembles the film ‘look’.

Film on Video: A Practical Guide to Making Video Look like Film is an accessible guide to making video captured on a camcorder, DSLR camera, smartphone, action camera or cinema camera look like it was shot on motion-picture celluloid film. Chapter by chapter, Jonathan Kemp introduces the reader to a key characteristic of celluloid film, explains the historical and practical reasons why it exists, before providing a simplified method for best replicating that characteristic on a digital camera. The book includes various practical exercises throughout that are designed to underline the takeaway principles of each chapter and features case studies on specific cameras including the Sony NX5 Camcorder, Canon 5D Mk IV, Canon 4000D, iPhone X, GoPro Hero 6, Blackmagic URSA Mini Pro 4.6K and Canon C200. Ideal for students studying film and media production and filmmaking newcomers who want to get up to speed quickly, this is an indispensable guide to how the numerous settings on a digital camera can be used to create footage that more closely resembles the film ‘look’.

This is the latest edition of a book that has sold over 75,000 copies since its first printing in 1984 by producer/publisher Michael Wiese. An indispensible tool for any producer, this “industry bible” has been updated with the latest digital technologies for production and post-production ― the standard for most films today. Downloadable budget templates are free and easily accessible at www.mwp.com. They can be adapted for any production and can save you tons of time and money. The templates include different budget levels for narrative features, non-fiction features, and short films.The book goes through a 14-page Master Budget template line-by-line with an explanation for every line item in any budget. As it guides you through each step, you can use this book to put together budgets for proposals, treatments, and productions.Maureen Ryan, Co-Producer, Academy Award™-winning film, MAN ON WIRE

Film and Video Editing Theory offers an accessible, introductory guide to the practices used to create meaning through editing. In this book, Michael Frierson synthesizes the theories of the most prominent film editors and scholars, from Herbert Zettl, Sergei Eisenstein, and Noël Burch to the work of landmark Hollywood editors like Walter Murch and Edward Dmytryk. In so doing, he maps out a set of craft principles for readers, whether one is debating if a flashback reveals too much, if a certain cut clarifies or obscures the space of a scene, or if a shot needs to be trimmed. The book is grounded in the unity of theory and practice, looking beyond technical proficiency in a specific software to explain to readers how and why certain cuts work or don’t work.

This group composed superior, original music, performed in spaces and nightclubs, and performance across the U.S.A. and the world in a style of sublime rock Gospel theater. This DVD features Blue is Beautiful - film by James Schneider with audio commentary.

The Technique of Film and Video Editing provides a detailed, precise look at the artistic and aesthetic principles and practices of editing for both picture and sound. Because editing is about more than learning a specific software program, this book focuses on the fundamentals of editing as art. Analysis of photographs from dozens of classic and contemporary films and videos provide a sound basis for the professional filmmaker and student editor. This book puts into context the storytelling choices an editor will have to make against a background of theory, history, and practice. This edition includes brand new chapters covering the goals of editing, including editing for narrative clarity, subtext, aesthetics, and dramatic emphasis, all showing how to evoke specific audience responses. Some of the new films to be discussed include A History of Violence, Atonement, The Departed, Forgetting Sarah Marshall, MIchael Clayton, and more.

The over 700 entries here provide the film's title, year of release, studio, starring cast members, category (Western, comedy, drama, etc.), source of the video, catalog number and the price as of December 1994. The directory provides name, address, and phone number for each of the video sources listed in the book.

This updated sixth edition of The Technique of Film and Video Editing provides a detailed, precise look at the artistic and aesthetic principles and practices of editing for both picture and sound. Ken Dancyger puts into context the storytelling choices an editor will have to make against a background of theory, history, and practice across a range of genres, including action, comedy, drama, documentary and experimental forms, featuring analysis of dozens of classic and contemporary films. This new sixth edition includes new chapters on the influence of other media on the editing form, on the importance of surprise in editing, on the contributions of Robert Altman to the art of editing and on the experimental documentary. This edition also includes expanded coverage in technology, creative sound, point of view, and the long take. New case studies explore Whiplash (2014), Room (2015), Lincoln (2012), Tangerine (2015), The Beaches of Agnès (2008), American Sniper (2014), Son of Saul (2015), The Revenant (2015), and many more.